{"id":26542,"date":"2022-07-01T18:07:44","date_gmt":"2022-07-01T16:07:44","guid":{"rendered":"https:\/\/ei-design.org\/?p=26542"},"modified":"2022-07-01T19:55:22","modified_gmt":"2022-07-01T17:55:22","slug":"fontanaarte-house-of-glass","status":"publish","type":"post","link":"https:\/\/ei-design.org\/es\/2022\/07\/01\/fontanaarte-house-of-glass\/","title":{"rendered":"FontanaArte Exhibition. House of Glass"},"content":{"rendered":"<p><span style=\"font-size: 110%; color: #333333;\"><span style=\"background-color: #c0c0c0;\"><span style=\"caret-color: #0000ff;\"><b>Art Exhibition<\/b><\/span><\/span>\u00a0 |\u00a0<span style=\"font-weight: 400;\">Comisariada por <strong>Christian Larsen<\/strong>, FontanaArte. House of Glass aborda un tema de gran inter\u00e9s en el <strong>mundo del vidrio<\/strong>. La empresa marc\u00f3 las pautas del dise\u00f1o italiano del vidrio gracias a la perfecta continuidad entre el clasicismo y la tecnolog\u00eda contempor\u00e1nea, la uni\u00f3n ideal de arte e industria, la calidad superlativa de los materiales y la artesan\u00eda del vidrio industrial, y la elevaci\u00f3n del objeto dom\u00e9stico al arte de vivir.<\/span><\/span><\/p>\n<p>\u00a0<\/p>\n<h3 style=\"text-align: center;\"><span style=\"background-color: #00ffff;\">4th April &#8211; 31st July<\/span><\/h3>\n<h5 style=\"text-align: center;\">Island of San Giorgio Maggiore, Venice<\/h5>\n<div class=\"mceTemp\">\u00a0<\/div>\n<figure id=\"attachment_26617\" aria-describedby=\"caption-attachment-26617\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/ei-design.org\/wp-content\/uploads\/2022\/07\/Max-Ingrand-attr-Vaso-fiore-1954-lastre-di-cristallo-colorato-e-ottone-nichelato-7x31-cm-Galleria-Michela-Cattai.-Ph.-Enrico-Fiorese-696x522-1.jpg\"><img loading=\"lazy\" class=\"wp-image-26617\" src=\"https:\/\/ei-design.org\/wp-content\/uploads\/2022\/07\/Max-Ingrand-attr-Vaso-fiore-1954-lastre-di-cristallo-colorato-e-ottone-nichelato-7x31-cm-Galleria-Michela-Cattai.-Ph.-Enrico-Fiorese-696x522-1.jpg\" alt=\"\" width=\"800\" height=\"576\" srcset=\"https:\/\/ei-design.org\/wp-content\/uploads\/2022\/07\/Max-Ingrand-attr-Vaso-fiore-1954-lastre-di-cristallo-colorato-e-ottone-nichelato-7x31-cm-Galleria-Michela-Cattai.-Ph.-Enrico-Fiorese-696x522-1.jpg 536w, https:\/\/ei-design.org\/wp-content\/uploads\/2022\/07\/Max-Ingrand-attr-Vaso-fiore-1954-lastre-di-cristallo-colorato-e-ottone-nichelato-7x31-cm-Galleria-Michela-Cattai.-Ph.-Enrico-Fiorese-696x522-1-16x12.jpg 16w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-26617\" class=\"wp-caption-text\">FontanaArte, Max Ingrand, vaso Fiore, 1954. Galleria Michela Cattai. Ph. Enrico Fiorese<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p><span style=\"font-weight: 400; font-size: 110%; color: #333333;\">La exposici\u00f3n analiza el repertorio creativo y los periodos de producci\u00f3n de sus cuatro grandes directores art\u00edsticos: <strong>Gio Ponti, Pietro Chiesa, Max Ingrand<\/strong> y <strong>Gae Aulenti.\u00a0<\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400; font-size: 110%; color: #333333;\">La exposici\u00f3n se distribuye con cada galer\u00eda centrada en cada dise\u00f1ador y culmina en una suite amueblada al estilo de FontanaArte para evocar una vivienda hecha de interiores de cristal. La disposici\u00f3n de la exposici\u00f3n ha sido dise\u00f1ada por el arquitecto <strong>Massimiliano Locatelli<\/strong>.<\/span><\/p>\n<p><span style=\"font-size: 110%; color: #333333;\">La mayor\u00eda de los 85 objetos expuestos proceden de coleccionistas privadas de Europa y no de instituciones, lo que refleja la accesibilidad y diversidad de FontanaArte, m\u00e1s que su necesidad de depender de la fabricaci\u00f3n de piezas ic\u00f3nicas.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Art Exhibition |\u00a0Comisariada por Christian Larsen, FontanaArte. House of Glass aborda un tema de gran inter\u00e9s en el mundo del vidrio. La empresa marc\u00f3 las pautas del dise\u00f1o italiano del vidrio gracias a la perfecta continuidad entre el clasicismo y la tecnolog\u00eda contempor\u00e1nea, [...]","protected":false},"author":220,"featured_media":26610,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[471,228],"tags":[],"_links":{"self":[{"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/posts\/26542"}],"collection":[{"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/users\/220"}],"replies":[{"embeddable":true,"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/comments?post=26542"}],"version-history":[{"count":19,"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/posts\/26542\/revisions"}],"predecessor-version":[{"id":26626,"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/posts\/26542\/revisions\/26626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/media\/26610"}],"wp:attachment":[{"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/media?parent=26542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/categories?post=26542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ei-design.org\/es\/wp-json\/wp\/v2\/tags?post=26542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}